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From the makers of The Queen comes another smart and engaging story of British politics behind the scenes (The Hollywood Reporter, Barry Garron). Focusing on their rise through Labor Party ranks, The Deal probes the complex rivalry between real-life Prime Ministers Gordon Brown (David Morrissey, The Reaping) and Tony Blair (Michael Sheen, The Queen) two close friends who came to legendary crossroads when their predecessor died and, for the sake of a nation, struck an extraordinary deal.
Three years before working on the Oscar-winning triumph The Queen, some of its key collaborators made this swift and compulsively watchable look at the backstage world of British politicking. Director Stephen Frears, writer Peter Morgan, producer Christine Langan, and leading man Michael Sheen all worked on The Deal, a 2003 made-for-TV film that details the fraught relationship between future Prime Minister Tony Blair (played by Sheen) and Prime-Minister-in-Waiting Gordon Brown (David Morrissey). The two men are elected to Parliament at the same time, and quickly forge a friendship based on their desire to change the Labour Party (which, for most of the film's timeline, is battered around by Margaret Thatcher's Tories) and bring it into the future. The film's drama comes from the personality differences between the shrewd and telegenic Blair and the moody, maladroit Brown--although the film is even-handed in suggesting that both men have serious political purpose. The two actors are sharp, the mixing-in of news footage is deft, and Morgan's headlong script (in the manner of All the President's Men) leaves out virtually all of the domestic subplots that ordinarily slow down a political picture. As a study of the psychology of politics, the movie comes in a long line dominated by that fellow Will Shakespeare, who surely would've approved. --Robert Horton
A superior made-for-TV movieReviewed by Gena Chereck, 2009-03-21
First of all, let me point out that The Deal is technically not a
"prequel" to the Oscar-nominated 2006 film The Queen, since this
was actually filmed and then aired on Britain's Channel 4 three
years prior. Both were written by Peter Morgan and directed by
Stephen Frears, and both star Welsh actor Michael Sheen as
politician Tony Blair; and I suspect that, had it not been for the
success of The Queen, The Deal most likely would not have seen a US
release. Which would've been a shame, since The Deal -- though not
quite the rich, in-depth character study that The Queen was -- is
actually a sturdy little teleplay, and a fascinating glimpse into
the workings of UK politics.
The story concerns the friendship and rivalry between Members of
Parliament Tony Blair and Gordon Brown as they worked their way up
the ranks of the Labour Party throughout the 1980s and into the
'90s (they were considered the "opposition party" as long as the
Conservative Party was in power); when their party leader, John
Smith, suddenly died in 1994, both Blair and Brown were poised to
take over. Though the pair had been united in their desire to
"modernize" the Labour Party and put it back in power, the shrewd
and friendly Blair was becoming convinced that he would be a more
likely Labour candidate than the passionate, intellectual Brown to
beat the Conservative candidate in the next election. So they
supposedly struck a deal wherein Blair would run as the Labour
candidate for Prime Minister: If elected, he would in turn give
Brown unprecedented power as Chancellor of the Exchequer, and then
Blair would step down after his first term and let Brown take over
as PM.
The script portrays the duo's conflict a bit simplistically -- the
eager-beaver pretty-boy versus the moody man-of-substance -- and it
seems rather biased in favor of Brown, painting him as a victim of
the harsh truth that it really does matter how much you can appeal
to people when you're going for the "top job." But then there's
only so much you can show in 80 minutes; and besides, both Sheen
(as a somewhat less sympathetic Blair than he played in The Queen)
and English actor David Morrissey (outstanding as Brown) do their
darnedest to bring whatever nuance they can to their roles. It also
helps that the story is fast-moving and occasionally witty, with
few (if any) moments that drag.
That said, the film doesn't spend much time explaining the
characters' backgrounds or their political offices; fortunately,
the DVD comes with brief text bios of Brown and Blair, as well as a
charming 22-minute interview with Frears -- stuff I would recommend
checking out before watching the movie itself. (NOTE: Though not
rated, The Deal probably merits a PG-13 for a few instances of
strong language.)